Tuesday, March 20, 2007

"Hitler: The Rise of Evil" (TV Mini Series)


Robert Carlyle stars in this four-hour, fact-based mini-series that explores Adolf Hitler's rise to power during the years prior to World War II and focuses closely on how the embittered, politically fragmented and economically buffeted German society after World War I made that ascent possible. The mini-series, produced by Alliance Atlantis, will also illustrate how Hitler's hatred of the Jews became central to his political mission in Germany and found a broad resonance among the German public.

Night One

Linz, Austria, 1899 -- Even as a 10-year-old child in grade school, Adolf Hitler exhibits antisocial characteristics. He is detached from family and friends. Without empathy, he is destructive to those around him. Only his adoring mother, Klara, thinks he is a normal boy and even she is not able to penetrate the emotionless armor that surrounds him.

As a young man, Hitler aspires to be a great artist and applies to the Academy of Visual Arts in Vienna despite his then dying mother’s objections. When his application is turned down, he lands, homeless, on the streets. Hugely disappointed and angry, it is at this time that Hitler hears the anti-Semitic speeches of Karl Lueger, the Mayor of Vienna, and begins to espouse Lueger’s theories that the Jews are to blame for all that is wrong in Germany.

Homeless, jobless and with only a small inheritance from his late father and in a frenzy of patriotism, Hitler joins the German Army. Though he eventually pressures his superiors into giving him the Iron Cross for bravery, his career in the Army is undistinguished.

Munich, Germany, September 12, 1919 -- Hitler first meets members of The German Worker’s Party when he serves as a spy for the Army to keep tabs on possible civil uprisings. When he asserts his opinions about German purity at a meeting, he is invited to join the group and become a speaker. He finds an avid audience to whom he rails against indifference, foreign invaders and the group he considers Germany’s biggest threat, the Jews.

Ernst Hanfstaengl, a German living in America, and his wife, Helene, a German-American, are an aristocratic couple that arrive in Germany as Hitler is becoming more popular with the masses.

When Ernst meets Hitler, he sees an opportunity to use Hitler to advance his own position and to protect the interests of the rich. He becomes Hitler’s advisor and, at his suggestion, Hitler adopts the small moustache, which becomes a trademark, and the swastika symbol. Hanfstaengl invites Hitler to his home to speak at a dinner party for wealthy patriots. However, neither Ernst, Helene nor their guests are prepared for Hitler’s remarks when he announces the need to eliminate the Jews.

Ernst has a school friend, Friedrich Hollander, who, along with his wife Blandine, presents the local cabaret. However, as Ernst aligns himself with the anti-Semitic Hitler, his and Friedrich's once close friendship is quickly shattered.

Hitler hires Ernst Röhm, head of the SA (Storm Troopers also known as the Brown Shirts), to protect him from his enemies and provide fighting power. Though their goals are different, an alliance is formed between them. When German Prime Minister Gustav Von Kahr offers Hitler a position in the government if he will quit making speeches and keep a low profile, Hitler asks Röhm to control his men who have a penchant for violent behavior. Röhm isn’t sure he can comply. Hitler asks General Erich Von Ludendorff, the famous World War I hero, to join him as a credible figurehead.

Meanwhile, respected journalist Fritz Gerlich, who also writes Prime Minister Von Kahr’s speeches, meets Hitler who reveals to Gerlich his hatred of the Jews. Gerlich realizes how dangerous Hitler is and advises Von Kahr to handle Hitler very carefully.

When Hitler learns that Von Kahr has double-crossed him and has no plans to honor his agreement with Hitler, he decides to move forward with his own government takeover. As Von Kahr makes a speech to the various other political factions, Hitler and Röhm overtake the beer hall where he is speaking and Hitler announces his own agenda. He leaves Von Kahr in Ludendorff’s charge, not realizing that Ludendorff will be tricked into releasing Von Kahr and his generals. Von Kahr quickly dispatches the German Army to stop Hitler and Röhm’s men and Hitler is injured in the skirmish that ensues.

Ernst Hanfstaengl, a witness to the events, calls Helene and tells her that things have gone terribly wrong and that he wants her to take their children to the country. As she is preparing to do so, Hitler appears at her home, hysterical and waving a gun. When he attempts to commit suicide, Helene prevents it and the police arrive to take him away.

Hitler and Ludendorff are put on trial for high treason and though Hitler pleads guilty, he gives an impassioned speech where he claims that he was merely attempting to take back what had been stolen from Germany. His speech is met with great enthusiasm by the party sympathizers in the courtroom; even the judge is impressed by him. But, Gerlich, watching from the gallery, is disgusted and enraged.

Gerlich prints the inspirational speech that Von Kahr was delivering when overtaken by Hitler and his men. He tells the German people about Von Kahr’s initiative that called for peace. Gerlich also reveals Hitler’s true agenda of intolerance, hatred and anti-Semitism and exposes him as an agitator who will take advantage of their fear. He admonishes the German people to denounce Hitler and his party and warns them that the worst thing that they do can do is to stand by and do nothing.

Nonetheless, the court has been swayed by Hitler’s tirade and though he is found guilty of high treason, he receives a ludicrous sentence of five years in prison with eligibility for parole in a mere nine months.

Night Two

Landsberg Prison, 1924 -- Hitler is ensconced in a veritable suite in prison, next door to his assistant, Rudolf Hess, who is still enthusiastic about serving his Fuhrer. During his time there, he decides to write a personal memoir that becomes the infamous book "Mein Kampf." He asks Hanfstaengl to be his publisher. Hanfstaengel replies that his family only publishes art books and, when he suggests that he will be returning to America to seek medical treatment for his daughter, Hitler forbids it.

Upon his release from prison, Hitler surprises the Hanfstaengls with a visit on Christmas Day. As Ernst attends to their gravely ill daughter upstairs, Hitler makes a dramatic and wholly inappropriate display of affection for Helene. On his knees, he tells her she is his ideal woman, wife and mother. He ultimately enlists her aid as a party fundraiser, which drives a wedge between Helene and Ernst, who already have a strained relationship.

Hitler retreats to his Alpine home in Obersalzberg. He asks his half-sister, Angela, to become his caretaker for the compound. She also brings her daugher, Geli, now a beautiful young woman, to live there and Geli becomes Hitler’s object of affection and constant companion.

After General Hindenburg wins the presidential election against Ludendorff, Hitler calls a meeting of his inner circle in Munich. On the way, he dismisses Ludendorff’s incompetence, insulting him to the point where Ludendorff removes himself from the party. Hitler confronts party members Gregor Strasser and Josef Goebbels, whom he accuses of wanting him out of the party. He then announces that he wants to solidify the party and that he plans to lead it and tells Röhm that his men are no longer needed for his personal security. In short, he declares that many in the party will be relieved of their duties and that all who are left must obey his orders.

Hitler brings Geli to Munich to keep him company, a situation that soon becomes suffocating for her. Rumors about the two of them are rampant and even party members are concerned about the negative publicity that arises over the situation. Geli begs to be allowed to go home, but he will not allow it. When Hitler discovers that she has tried to run away, he openly threatens her. Geli, in a state of deep despair, is later found dead by her mad uncle. Hitler then becomes involved with Eva Braun but Eva is warned by Geli’s mother, Angela, that she will never have a significant place in his life, that she will always be held up to Geli’s memory.

1932 -- German politics are in an uproar. Hitler runs for President against Hindenburg who considers Hitler the biggest threat to German democracy. Röhm, who has his own political aspirations, attempts to raise funds from sources outside of Germany. Gerlich, who loses his job after the newspaper office is smoke-bombed by Hitler, ultimately makes a deal with the unknowing publisher of Hitler’s propaganda to use the same printing presses to publish his own newspaper, The Straight Path. He continues to report on Hitler’s activities.

Though Hitler loses the election to Hindenburg, he decides to ask for the job of Chancellor, the number two position in the government. He feels entitled to the position because his National Socialist Party has become the largest presence in the Reichstag, giving it the majority vote. He also confronts Röhm about a rumor he’s heard that Röhm is planning to kill him and tells Röhm that he must get the SA under control and quell their notion about revolution. Hindenburg offers Hitler the job of Vice Chancellor, which Hitler declines, much to Hindenburg’s wrath and dismay. Soon after, Hitler writes a public letter to Hindenburg pledging his loyalty and support, Hindenburg has no choice but to appoint Hitler Chancellor. On the night that Hitler takes the oath of office, a helpless Hindenburg witnesses a torch-lit march where hundreds of Brown Shirts revere their leader, chanting Sieg Heil in thunderous unison.

Gerlich publishes damaging information about Röhm and other illegal party activities that ultimately leads to Gerlich’s arrest, imprisonment and eventual execution. To counter the negative impact of this and other anti-opposition actions, Hitler suggests a diversion of some sort, perhaps, the desecration of a public monument. Soon after, the Reichstag is set afire and a Dutch communist is blamed for the treasonous act.

Hitler proposes an enabling act that will effectively override the constitution, take power away from aging President Hindenburg and put him in control. The tenets of this act take away individual freedom of speech, freedom of the press and the right to privacy and orders that all of these rights be suspended at once. Because the Reichstag must approve the act before it can come into effect, Hitler threatens dissenting voters into submission and the law is passed.

With no one to stop him, Hitler begins to systematically arrest and murder all those who oppose him now including Röhm and Von Kahr. Hanfstaengl requests permission to attend his Harvard University 20th reunion in America, a request that Hitler approves. Now more loyal to Hitler than her husband, Helene refuses to go with him.

Upon the death of President Hindenburg, Hitler assumes complete power over Germany and announces the beginning of a new era, the 1000-Year Reich.

In an epilogue, key events in the years between 1934 and 1945 are identified, recounting Hitler’s expansion throughout Europe and the human atrocities of his "Final Solution."

***

"Cocaine Cowboys" (documentary)



Documaker Billy Corben's 2001 Sundance phenom "Raw Deal" unspooled raw tapes that tested the limits of consensual sex. In "Cocaine Cowboys," he revels in endless piles of dope, money and corpses to a "Miami Vice" beat while recounting the heyday of drug traffic in the Florida metropolis. Corben's films are meant to grab the most ADD-afflicted viewer. Jam-packed "Cowboys," featuring colorful drug runners and assassins expansively waxing nostalgic about the glory days, opens today in select cities and should wow on cable.

Well-structured docu is divided into three distinct sections concerning: the nuts and bolts of the importation and distribution of cocaine; the societal impact of the huge amount of cash flowing through the city; and, the runaway violence of the drug wars.

A rogues gallery of flamboyant gangsters paint an anecdote-rich portrait of the drug trade, while a steady stream of cops, coroners and crime reporters furnish social commentary.

Big-time cocaine dealer Jon Roberts and major transporter Mickey Munday relate their improbable exploits, such as Munday's story of returning from a run with a boatload of coke only to wind up towing a disabled Coast Guard vessel to shore. But their awed reminiscences of walls full of cocaine pale before the sheer volume of money that poured into this once sleepy town of retired geezers, transforming it into a flashy international mecca for fast-living Eurotrash.

Corben's fondness for shots of sacks of cocaine is matched only by his love for shots of stacks of money, but the facts about the influx of cash speak even more loudly than the images: While banks nationwide sent approximately $12 million to the Federal Reserve, the banks in Miami turned over $600 million, the surplus of the Miami Fed greater than all the branches in the U.S. combined.

A new player is added in the last act in the person of Jorge "Rivi" Ayala, the main hit man in the employ of the biggest badass of them all -- Columbian Godmother Griselda Blanco, aka "The Black Widow." Interviewed from prison, where he is serving multiple concurrent life sentences, soft-spoken, rather charming "Rivi" adds a personal insider note to tales of indiscriminate, out-of-control slaughter.

To illustrate the docu, Corben draws from a huge bank of found footage, from 1950s Chamber of Commerce shorts to news clips and police archives, which he supplements with newly-shot reconstructions, both realistic and wildly impressionistic. Taken individually, the sound/image matchups are often ludicrously literal: Roberts mentions arriving in Florida with $650 in his pocket and we cut to a close-up of a hand pulling money from a pocket.

But everything is delivered in such a wash of rapid-fire montage, under a driving score by "Miami Vice" composer Jan Hammer, that the viewer scarcely has time to register the particulars. [MySpace here].

Camera (color, DV), Armando Salas; editors, Corben, David Cypkin; music, Jan Hammer; sound, Juan Dieguez. Reviewed on DVD, New York, Oct. 17, 2006. Running time: 118 MIN.

***

Saturday, March 10, 2007

"La Dolce Vita" (1961)


At three brief hours, La Dolce Vita, a piece of cynical, engrossing social commentary, stands as Federico Fellini's timeless masterpiece. A rich, detailed panorama of Rome's modern decadence and sophisticated immorality, the film is episodic in structure but held tightly in focus by the wandering protagonist through whom we witness the sordid action. Marcello Rubini (extraordinarily played by Marcello Mastroianni) is a tabloid reporter trapped in a shallow high-society existence. A man of paradoxical emotional juxtapositions (cool but tortured, sexy but impotent), he dreams about writing something important but remains seduced by the money and prestige that accompany his shallow position. He romanticizes finding true love but acts unfazed upon finding that his girlfriend has taken an overdose of sleeping pills. Instead, he engages in an ménage à trois, then frolics in a fountain with a giggling American starlet (bombshell Anita Ekberg), and in the film's unforgettably inspired finale, attends a wild orgy that ends, symbolically, with its participants finding a rotting sea animal while wandering the beach at dawn. Fellini saw his film as life affirming (thus its title, The Sweet Life), but it's impossible to take him seriously. While Mastroianni drifts from one worldly pleasure to another, be it sex, drink, glamorous parties, or rich foods, they are presented, through his detached eyes, are merely momentary distractions. His existence, an endless series of wild evenings and lonely mornings, is ultimately soulless and facile. Because he lacks the courage to change, Mastroianni is left with no alternative but to wearily accept and enjoy this "sweet" life.

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Thursday, March 08, 2007

"Helvetica" (2007)


About the Film

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Helvetica encompasses the worlds of design, advertising, psychology, and communication, and invites us to take a second look at the thousands of words we see every day.

The film was shot in high-definition on location in the United States, England, the Netherlands, Germany, Switzerland, France and Belgium. It is currently in post-production and is slated to begin screening at film festivals worldwide starting in early 2007.

Interviewees in Helvetica include some of the most illustrious and innovative names in the design world, including Erik Spiekermann, Matthew Carter, Massimo Vignelli, Wim Crouwel, Hermann Zapf, Neville Brody, Stefan Sagmeister, Michael Bierut, David Carson, Paula Scher, Jonathan Hoefler, Tobias Frere-Jones, Experimental Jetset, Michael C. Place, Norm, Alfred Hoffmann, Mike Parker, Bruno Steinert, Otmar Hoefer, Leslie Savan, Rick Poynor, Lars Müller, and many more.


About the Typeface

Helvetica was developed by Max Miedinger with Eduard Hoffmann in 1957 for the Haas Type Foundry in Münchenstein, Switzerland. In the late 1950s, the European design world saw a revival of older sans-serif typefaces such as the German face Akzidenz Grotesk. Haas' director Hoffmann commissioned Miedinger, a former employee and freelance designer, to draw an updated sans-serif typeface to add to their line. The result was called Neue Haas Grotesk, but its name was later changed to Helvetica, derived from Helvetia, the Latin name for Switzerland, when Haas' German parent companies Stempel and Linotype began marketing the font internationally in 1961.

Introduced amidst a wave of popularity of Swiss design, and fueled by advertising agencies selling this new design style to their clients, Helvetica quickly appeared in corporate logos, signage for transportation systems, fine art prints, and myriad other uses worldwide. Inclusion of the font in home computer systems such as the Apple Macintosh in 1984 only further cemented its ubiquity.

Monday, March 05, 2007

Colour Me Kubrick: A True...ish Story (2005) [DVD]


SYNOPSIS: They wanted something for nothing. He gave them nothing for something. The true story of a man who posed as director Stanley Kubrick during the production of Kubrick's last film, Eyes Wide Shut, despite knowing very little about his work and looking nothing like him.

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Sunday, March 04, 2007

"Grindhouse" (2007)


SYNOPSIS: Kill Bill director Quentin Tarantino and Sin City director Robert Rodriguez join forces to offer a cinematic tribute to the blood-soaked exploitation epics of yesteryear with this hyper-violent coupling of two 60-minute features punctuated by a collection of outrageous trailers. In "Death Proof" -- director Tarantino's take on the slasher films of the 1970s and '80s -- Kurt Russell stars as an engine-revving psychopath who prefers to take out his victims hit-and-run style. Rodriguez's segment -- entitled "Planet Terror" -- details the violent struggle between a ravenous army of zombie-like humanoids who have taken over a planet not so different from our own, and the remaining survivors who refuse to go down without a fight. Its tantalizing title borrowed from the term frequently used to describe the seedy, 1970s-era inner-city movie theaters that screened excessive, low-budget independent films containing copious amounts of violence and nudity as a means of offering counter-programming to the decidedly more restrained big-budget studio films, Grindhouse takes its love for these unabashedly sleazy efforts one step further by offering an intermission which showcases a jaw-dropping collection of fake exploitation trailers.

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"Factory Girl" (2007)


SYNOPSIS: The year is 1965, and Edie Sedgwick is living every young girl’s dream. Rich, ambitious and beautiful, Edie’s life changes forever when she meets Andy Warhol, New York’s most famous artist, and the man who will transform her into a dazzling superstar. She has the world at her feet. Every woman wants to be her. Yet, Edie is alone.



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"Ocean's Thirteen" (2007)

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"Smokin' Aces" (2007)

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"Curse of the Golden Flower" (2007)

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"Angel A" (2007)

SYNOPSIS: A man meets a woman in Paris? Down-on-his-luck petty criminal Andre (Jamel Debbouze) has reached the end of his rope. Irreversibly in debt to a local gangster, with no one to turn to, his only solution is to plunge himself into the Seine. Just as he is perched to do so, a fellow bridge-jumper beats him to the water. Diving in, he saves Angela (Rie Rasmussen), a beautiful, statuesque and mysterious woman. As they pull themselves out the water, the two form a bond and venture into the streets of Paris determined to get Andre out of the hole he has found himself in.

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"Hoax" (2007)

Inspired by true events in the life of Clifford Irving, the writer who nearly pulled off one of the most audacious media scams in history, when his “autobiography” of Howard Hughes was published. Richard Gere stars as Irving, who claimed the book was based on in-person interviews with the reclusive billionaire, which were in fact completely bogus.

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"Perfect Stranger" (2007)

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"Rescue Dawn" (2007)

Based on the true story of an American pilot, Dieter Dengler (Christian Bale) is shot down during a top-secret mission to destroy Viet Cong strongholds in Laos at the beginning of the Vietnam War. Taken hostage, he endures unimaginable conditions at the hands of cruel captors in a makeshift POW camp.

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"Fracture" (2007)

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"Zodiac" (2007)

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"Trade" (2007)

SYNOPSIS: Adriana (Paulina Gaitan) is a 13-year-old girl from Mexico City whose kidnapping by sex traffickers sets in motion a desperate mission by her 17-year-old brother, Jorge (Cesar Ramos), to save her. Trapped and terrified by an underground network of international thugs who earn millions exploiting their human cargo, Adriana’s only friend and protector throughout her ordeal is Veronica (Alicja Bachleda), a young Polish woman tricked into the trade by the same criminal gang. As Jorge dodges immigration officers and incredible obstacles to track the girls’ abductors, he meets Ray (Kevin Kline), a Texas cop whose own family loss to sex trafficking leads him to become an ally in the boy’s quest.

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"The Hills Have Eyes 2" (2007)

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"Hot Fuzz" (2007)


SYNOPSIS: Nicholas Angel (Simon Pegg) is the finest cop London has to offer, with an arrest record 400% higher than any other officer on the force. He’s so good, he makes everyone else look bad. As a result, Angel’s superiors send him to a place where his talents won’t be quite so embarrassing — the sleepy and seemingly crime-free village of Sandford. Once there, he is partnered with the well-meaning but overeager police officer Danny Butterman (Nick Frost), a huge action movie fan. As a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems and as the intrigue deepens, Danny’s dreams of explosive, high-octane, car-chasing, gunfighting, all-out action seem more and more like a reality.

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"The Hitcher" (2007)

SYNOPSIS: A young couple hit the road in a 1970 Oldsmobile 442, en route to spring break. But their pleasure trip soon turns into a waking nightmare. The initial encounters with the hitchhiker are increasingly off-putting, and they bravely fight back when he ambushes them. But they are truly blindsided when he implicates them in a horrific slaying.

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"Balls of Fury" (2007)

In this secret society, the competition is brutal and the stakes are high. It is the unsanctioned, underground, and utterly unhinged world of clandestine Ping-Pong tournaments. Down-and-out former professional Ping-Pong phenom Randy Daytona (Dan Fogler) is sucked into this maelstrom when FBI Agent Rodriguez (George Lopez) recruits him.

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Saturday, March 03, 2007

"Black Snake Moan" (2007)

SYNOPSIS:A has-been blues musician (Samuel L. Jackson) is placed in charge of the rehabilitation of a hopeless nymphomaniac (Christina Ricci).

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